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Piano Materials
This Piano Materials article takes a brief look into some curiosities about the reasons
behind the usage of different materials in piano construction.
Many parts of a piano are made of materials selected for extreme sturdiness. In quality
pianos, the outer rim of the piano is made of a hardwood, normally maple or beech.
According to
Harold A. Conklin,
the purpose of a sturdy rim is so that "the vibrational energy will stay as much as possible
in the soundboard instead of dissipating uselessly in the case parts, which are inefficient
radiators of sound." The rim is normally made by laminating flexible strips of hardwood
to the desired shape, a system that was developed by Theodore Steinway in 1880.
The thick wooden braces at the bottom (grands) or back (uprights) of the piano are not as
acoustically important as the rim, and are often made of a softwood, even in top-quality
pianos, in order to save weight.
The pinblock, which holds the tuning pins in place, is another area of the piano where
toughness is important. It is made of hardwood, and generally is laminated (built of multiple
layers) for additional strength and gripping power.
Piano strings (also called piano wire), which must endure years of extreme tension and hard blows,
are made of high quality steel. They are manufactured to vary as little as possible in diameter,
since all deviations from uniformity introduce tonal distortion. The bass strings of a piano are
made of a steel core wrapped with copper wire, to increase their flexibility. For the acoustic
reasons behind this, see Piano acoustics.
The plate, or metal frame, of a piano is usually made of cast iron. It is advantageous for the
plate to be quite massive. Since the strings are attached to the plate at one end, any vibrations
transmitted to the plate will result in loss of energy to the desired (efficient) channel of sound
transmission, namely the bridge and the soundboard. Some manufacturers now use cast steel in their
plates, for greater strength. The casting of the plate is a delicate art, since the dimensions are
crucial and the iron shrinks by about one percent during cooling. The inclusion in a piano of an
extremely large piece of metal is potentially an esthetic handicap. Piano makers overcome this
handicap by polishing, painting, and decorating the plate; often plates include the manufacturer's
ornamental medallion and can be strikingly attractive.
The numerous parts of a piano action are generally hardwood or plastic. The choice between these two
materials is controversial. Some varieties of plastic, incorporated into pianos in the 1950's and
1960's, were clearly disastrous, crystallizing and losing their strength after one or two decades
of use. The Steinway firm once used Teflon, a plastic, for some action parts, but ultimately
abandoned the experiment. More recently, the Kawai firm has built pianos with action parts made
of more modern and effective plastics; these parts have held up better and have generally received
the respect of piano technicians.
View from below of a 182-cm grand piano. In order of distance from viewer: softwood braces, tapered
soundboard ribs, soundboard. The metal rod at lower right is a humidity control device.The part of
the piano where materials probably matter more than anywhere else is the soundboard. In quality pianos
this is made of solid spruce (that is, spruce boards glued together at their edges). Spruce is chosen
for its high ratio of strength to weight. The best piano makers use close-grained, quarter-sawn,
defect-free spruce, and make sure that it has been carefully dried over a long period of time before
making it into soundboards. In cheap pianos, the soundboard is often laminated; i.e. made of plywood.
Piano keys are generally made of spruce or basswood, for lightness. Spruce is normally used in high-quality
pianos. Traditionally, the white keys were covered with strips of ivory, but since ivory-yielding species
are now endangered and protected by treaty, plastic is now universally used. The Yamaha firm innovated
a plastic, since imitated by other makers, that mimics the feel of ivory on the player's fingers.
The requirement of structural strength, fulfilled with stout hardwood and thick metal, makes pianos heavy.
Even a small upright can weigh 300 pounds (136 kg.), and the Steinway concert grand (Model D) weighs 990
pounds (480 kg). The largest piano built, the Fazioli F308, weighs 1520 pounds (691 kg).
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